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    At the Gallery : Anthropocene at the AGO

    anthropocene exhibit at ago toronto art gallery of ontario

    I had the chance to see "Anthropocene" at the AGO recently.

    On the way out of the exhibition, visitors are asked, "In a word, how does what you've seen here today make you feel?", and are invited to leave their response by touching a tablet. The possible answers are "informed, sad, suspicious, worried, unconcerned, motivated, or angry".

    Backing up to the beginning of the show, the audience is greeted with a message by the Canadian creators of the pieces within, photographer Edward Burtynsky, and filmmakers Jennifer Baichwal and Nicholas de Pencier, stating "Our ambition is for the work to be revelatory, not accusatory, as we examine human influence on the earth at planetary scale and in geological time. Recognizing our impact is the beginning of change."

    an-thro-po-cene : From the Greek anthropos, meaning "human being" and kainos meaning "new" or "recent".
    (n) The proposed current geological epoch, in which humans are the primary cause of permanent planetary change.

    Given the subject-matter, it might be questionable to describe the collection as being beautiful, but indeed, the large-scale, finely detailed, and brightly coloured images are just that. Or, perhaps, "stunning" might be a more appropriate descriptor, given their visual appeal combined with the message they deliver, that we humans are having a huge impact on the planet, does have the effect of leaving one feeling stunned.

    The exhibition combines photography and film, and makes use of a number of fun interactive technologies. The artists traveled all over the world to capture the images, which include sites such as garbage dumps, various types of mines, large-scale farms, urban sprawl and the harvesting of natural resources.

    Before entering the gallery, I attended a session, led by AGO Curator of Photography, Sophie Hackett, during which the artists discussed the ambitious project.

    AGO curator of photography sophie hacket speaks to Edward Burtynsky Jennifer Baichwal Nicholas de Pencier creators of Anthropocene

    They spoke of how the images, many of which show large scenes taken from above, were captured with the aid of helicopters, drones and satellites. And how, hundreds of individual photographs had to be digitally stitched together to make the whole.

    In one case, which I won't give away here and spoil the surprise, they had a single opportunity to photograph and film an event, as the next day, it would all be over, impossible to ever be seen again, except in the visual proof that they had captured with their cameras.

    Some key words in the artists' opening quote is that their intention is to inform and reveal and is "not accusatory". Amoungst the written observations and facts given at the base of each piece, is the statement that the sites represent jobs and livelihoods. They're not saying that we don't need the lithium batteries that we use so much today, but they'd like us to note the effect that making them has on the planet.

    I noted at least one piece which highlighted a situation where "good anthropocene" was at play, in a forest on Canada'a Vancouver Island where intentional small explosions cause dead or decayed branches to fall from the trees and therefore "hasten the natural process of returning rotting tree parts to the forest floor, where they will decompose naturally".

    the anthropocene exhibition ago toronto

    Anthropocene the human epoch exhibition at art gallery of ontario AGO Toronto

    phosphor tailings photograph by Edward Burtynsky at AGO Toronto Anthropocene exhibition

    photograph by Edward Burtynsky at AGO Anthorpocene exhibition dandora landfill plastic recycling kenya

    photograph by Edward Burtynsky at AGO Anthropocene exhibition oil bunkering nigeria

    photograph by Edward Burtynsky makoko lagos nigeria at AGO Anthropocene

    at the ago toronto anthropocene exhibition autumn 2018

    "It's hard not to marvel at the ingenuity of the massive industrial sites we filmed, and equally hard to ignore the devastation they represent." - Nicholas de Pencier.

    at the ago anthropocene exhition fall winter 2018

    carrara marble quarry italy photograph and films at anthropocene exhibit ago toronto

    interactive component of exhibition at ago anthropocene autumn 2018

    ↑ There are four photographs that, when scanned in different spots, trigger short films that were taken at the site. This is a marble quarry in Carrera Italy. ↑

    anthropocene exhibition at ago toronto autumn 2018

    ↑ The screen at the end is where they discuss some "good anthropocene" going on on Canada's Vancouver Island. The photo on the left wall is one of the interactive ones, which trigger films. ↑

    still from a film by Jennifer Baichwal Nicholas de Pencier Coal trains wyoming usa at ago anthropocene exhibit toronto

    ↑ Some of the pieces, interspersed amoung the photographs, are short film loops -- this is a still of one of a train carrying coal in the state of Wyoming. ↑

    anthropocene exhibition at ago toronto

    ↑ A lithium mine in Chile. ↑


    at ago toronto anthropocene exhibition fall 2018

    interactive component anthropocene exhibition at ago toronto

    ↑ Here's a cool interactive piece. This is what visitors see in the gallery. ↑

    interactive component of anthropocene exhibition at ago toronto

    ↑ And this is what shows up in the monitor. I'm taking a picture of the screen while it's showing a picture of me taking the picture, all while a life sized white rhino gently moves right in front of me. ↑

    underwater image including interactive films at anthropocene exhibition toronto autumn 2018

    ↑ See a large-scale image of a beautiful sea of coral. Scan it for films of sea creatures swimming beside it. ↑

    at ago anthropocene exhibition toronto

    ↑ This is the display involving the "one chance to get the shot/film" scenario mentioned above. I won't spoil the surprise here, (but will come back after the exhibition ends, and insert the photo that goes with this).

    me 1

    quote ago anthropocene

    Seeing so many similar messages together in one exhibition certainly leaves viewers aware that if humankind is not more careful, the future health of the planet is unquestionably at risk. As for the question at the end of the exhibition, my finger hovered between "worried" and "motivated".

    questionnaire at the end

    Anthropocene is on at the AGO until January 6th, 2019. It's a ticketed show, with tickets being available on their site here. As mentioned, there are several interactive components to the show and while there are some ipads available for use at the gallery, it is encouraged that visitors download the app on their own personal devices prior to attending.

    In addition to the exhibition the artists have produced a full-length documentary on the subject, called "Anthropocene : The Human Epoch". Tickets are available to see it at Jackman Hall, which is part of the AGO, accessible through a dedicated entrance on McCaul Street, near Dundas West.

    The artists have addressed the environments impact of producing the Anthropocene project by purchasing carbon offsets through Less Emissions. The organization works directly with creators to ensure that they are counterbalancing the CO2 as a result of the filing, production and post-production by investing in an emission reduction project located in Canada.

    To learn how the AGO is contributing to an eco-friendly environment, please visit their site here.

    Thank you very much for checking out my site,
    xo loulou

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